About

The acclaimed Australian songwriter, musician and advocate has built a profound connection with audiences through her unflinching honesty, magnetic presence and deeply human songwriting. Hull has a gift for finding the cinematic in vulnerability, writing songs that explore identity, relationships, disability and desire with emotional precision, delivered through a voice that feels both intimate and impossible to ignore.

Her forthcoming sophomore album, You’d Think We’d Be Used To Change By Now, marks a significant evolution. Written and recorded between Castlemaine, Melbourne and London, the album sees Hull step into co-producing for the first time, working alongside longtime collaborator and ARIA Award-winning producer Pip Norman (Missy Higgins, Baker Boy, Mia Wray), Sneaker Pimps co-founder Liam Howe (Lana Del Rey, FKA twigs, MARINA), as well as a feature from Hayden Calnin.

Across the record, organic instrumentation collides with electronic textures, delicate arrangements expand into moments of raw intensity, and original demo vocals remain embedded throughout. At its heart, You’d Think We’d Be Used To Change By Now is a record about change: the strange experience of looking backwards while continuing to move forward. It traces relationships, nostalgia, desire, self-doubt and the shifting understanding of who we are as we grow older. Rather than attempting to resolve those contradictions, Hull allows them to exist alongside one another.

Recent years have marked a defining creative era for Hull. She has toured extensively throughout Australia and internationally, including a celebrated run with Sarah Blasko, while sharing stages with artists including Dan Sultan, Jen Cloher, Maple Glider, Gordi, Clare Bowditch and Katy Steele. Whether selling out Melbourne Recital Centre, performing at the Sydney Opera House, Hamer Hall, Ability Fest, SXSW Sydney, NYE on the Hill and BIGSOUND, or showcasing internationally at The Great Escape Festival UK and SXSW Austin, Hull brings an intensity to the stage that leaves a lasting mark.

Her work has received recognition through multiple awards and nominations, including wins at the Music Victoria Awards and Australian Women in Music Awards, while reaching audiences globally and at home through live performances on the BBC and coverage via Studio 10, The Today Show, ABC News Breakfast, Double J, ABC Radio, The Guardian, Rolling Stone, The Music, Tone Deaf, The AU Review and many more, alongside strong community radio support throughout her career.

In 2025, Hull’s haunting reimagining of Silverchair’s “Tomorrow” for the Paramount+ television series Playing Gracie Darling earned widespread national acclaim, catching the attention of songwriter Daniel Johns, who proclaimed it to be “better than the original.” The release introduced Hull’s artistry to an even wider audience, adding to her litany of songs featured across international television series including Teen Wolf, Awkward, Saving Hope and The Heights.

Her 2023 EP Here They Come, created with Pip Norman and featuring collaborations with Gordi and Odette, further expanded Hull’s sonic world. Its lead single “Running Underwater” marked the first time Hull wrote about having a disability, which she later performed live on ABC’s Q&A. The song and its music video, featuring dancer roya the destroya, contributed to a wider conversation about disability representation within Australian music.

Alongside her music career, Hull is a celebrated author, speaker, writer and producer and has become one of Australia’s leading voices for accessibility and disability inclusion in the arts. She continues to lead vital national conversations around accessibility and inclusion within the music industry, championing greater opportunities and visibility for disabled artists across all levels of the sector. In 2026, she was awarded the Medal of the Order of Australia (OAM) for service to the arts and disability advocacy, adding to recognition through the Music Victoria Awards and Australian Women in Music Awards. Her work across music, writing and advocacy continues to challenge assumptions about disability and representation.

Now signed to Sony Music Publishing worldwide, Hull enters this next chapter with an increasingly expansive sense of what her music can be.

Emotionally direct, sonically ambitious and deeply human, You’d Think We’d Be Used To Change By Now is pushing Eliza further into her own sound.